Victorian Literature and Culture 45.1 (March 2017) now available

Victorian Literature and Culture 45.1 (March 2017) is now available. It contains the following:

Research Articles

Work in Progress

Review Essay

Nineteenth-Century Gender Studies 12.3 (Winter 2016)

Nineteenth-Century Gender Studies 12.3 (Winter 2016) is now available. 12.3 is a special issue, “Gender in Victorian Popular Fiction, Art, and Culture,” edited by Janine Hatter and Helena Ifill. It contains:




Nineteenth-Century Contexts 39.1

Nineteenth-Century Contexts, Volume 39, Issue 1, February 2017 is now available. The issue contains:




Multi-Media Romanticisms: A Romantic Circles PRAXIS Volume

Romantic Circles has released  Multi-Media Romanticisms, a Volume in its PRAXIS series edited by Andrew Burkett and James Brooke-Smith, which contains:

Romanticism 22.2

The new issue of Romanticism, focused on John Keats, is now available. It contains the following articles:

Richard Cronin, “Keats and the Double Life of Poetry”

Nikki Hessell, “John Keats and Indian Medicine”

Li Ou, “Keats, Sextus Empiricus, and Medicine”

Meiko O’Halloran, “Sage, humanist, and physician to all men: Keats and Romantic Conceptualisations of the Poet”

Gregory Tate, “Keats, Myth, and the Science of Sympathy”

James Robert Allard, “Bureaucracy, Pedagogy, Surgery: Keats, Guy’s, and the ‘Institution’ of Medicine”

Grant F. Scott, “New Severn Watercolours from the Voyage to Italy with Keats”

Stefanie John, “‘Precision Instruments for Dreaming’: Anatomizing Keats in Pauline Stainer’s The Wound-dresser’s Dream


European Romantic Review 27.4

The new issue of ERR, on “Scottish Romanticism,” contains the following articles:

Murray Pittock, “Introduction”

Pauline Mackay, “‘Low, tame, and loathsome ribaldry’: Bawdry in Romantic Scotland”

Murray Pittock, “Thresholds of Memory: Birch and Hawthorn in the Poetry of Robert Burns”

Vivien Estelle Williams, “The Bagpipe and Romanticism: Perceptions of Ossianic ‘Northernness'”

Caroline McCracken-Flesher, “Better than to Arrive: The Last Voyage of Walter Scott, Romantic”

Angela Esterhammer, “John Galt’s The Omen: Interpretation and its Discontents”

The issue features reviews by Jan Plug, Ian Haywood, Jon Mee, Laura White, Tom Mole, Cian Duffy, James H. Donelan, Ashton Nichols, Evan Gottlieb, Bridget Keegan, Gary Kelly, and Cynthia Schoolar Williams.

New Issue of 19 on Victorian Sculpture

Issue 22 (2016) of 19: Interdisciplinary Studies in the Long Nineteenth Century is now available. Issue 22 is titled “Victorian Sculpture” and is guest edited by Angela Dunstan.

From the editor: Victorian sculpture continues to challenge us. Despite Victorian studies’ masterful readings of painting and photography, three-dimensionality demands alternative approaches to appreciate nineteenth-century sculptural aesthetics and its place in Victorian culture. The articles assembled in this issue offer innovative readings of a range of encounters with Victorian sculpture, including the role of classical statuary in Victorian women’s writing; the church sculpture of Nathaniel Hitch; Queen Victoria memorials in New Zealand; imperialism and Henry Hugh Armstead’s Outram Shield; the reflexive influence of Robert Browning’s poetic and sculptural methodologies; the photographic afterlives of Hiram Powers’s Greek Slave; and the influence of chronophotography and motion studies in the movement from neoclassical to modernist sculpture in nineteenth-century Britain. Exhibition curators provide reflections on ‘Curating Victorian Sculpture’ in the second section of the issue, offering new perspectives on sculptors Alfred Drury and John Tweed. The third section, ‘Reviewing “Sculpture Victorious”’, features reviews of each incarnation of the exhibition held at the Yale Center for British Art and at London’s Tate Britain, and David J. Getsy’s afterword considers ‘Victorian Sculpture for the Twenty-First Century’, highlighting the significance of this issue of 19 for the field.

The issue contains:

‘Reading Victorian Sculpture’
Angela Dunstan

Reading Victorian Sculpture
‘Marmoreal Sisterhoods: Classical Statuary in Nineteenth-Century Women’s Writing’
Patricia Pulham

‘Nathaniel Hitch and the Making of Church Sculpture’
Claire Jones

‘“A token of their love”: Queen Victoria Memorials in New Zealand’
Mark Stocker

‘The Relief of Lucknow: Henry Hugh Armstead’s Outram Shield (c. 1858–62)’
Jason Edwards

‘Robert Browning, “SCULPTOR & poet”’
Vicky Greenaway

‘Photographs of Sculpture: Greek Slave’s “complex polyphony”, 1847–77’
Patrizia Di Bello

‘“A series of surfaces”: The New Sculpture and Cinema’
Rebecca Anne Sheehan

Curating Victorian Sculpture
‘Alfred Drury: The Artist as Curator’
Ben Thomas

‘Exhibiting Victorian Sculpture in Context: Display, Narrative, and Conversation in “John Tweed: Empire Sculptor, Rodin’s Friend”’
Nicola Capon

Reviewing ‘Sculpture Victorious’
‘Review of “Sculpture Victorious: Art in an Age of Invention, 1837–1901” at the Yale Center for British Art, 11 September to 20 November 2014’
Jonathan Shirland

‘Review of “Sculpture Victorious: Art in an Age of Invention, 1837–1901” at Tate Britain, 25 February to 25 May 2015’
Clare Walker Gore

‘Afterword: Victorian Sculpture for the Twenty-First Century’
David J. Getsy