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SiR 51.4 (Winter 2012) available

In Articles on June 26, 2013 at 12:04 am

The most recent issue of Studies in Romanticism (Winter 2012) is available, and contains the following articles and reviews.



New issue: The Byron Journal 41:1 (2013) Now Available

In Articles on June 24, 2013 at 3:32 pm

The latest issue of the Byron Journal has been published.

To become a member of the Byron Society of America, and receive a subscription to the journal as part of your membership, please visit the BSA website.



 Byron Journal 43:1 (2013)

Editorial p. v
Jonathon Shears
DOI: 10.3828/bj.2013.1
Essay Contributors p. vi
DOI: 10.3828/bj.2013.2
Gaiety and Grace: Byron and the Tone of Catholicism p. 1
Gavin Hopps
DOI: 10.3828/bj.2013.3
Byron’s Week in Middleton p. 15
Anne Falloon
DOI: 10.3828/bj.2013.4
Don Juan and the Dirty Scythe of Time p. 27
N. E. Gayle
DOI: 10.3828/bj.2013.5
The Taming of Byron in the Netherlands p. 35
Marita Mathijsen
DOI: 10.3828/bj.2013.6
The Phantom Byron Book Sale Catalogue p. 49
Peter Cochran
DOI: 10.3828/bj.2013.7
Letter to the Editor p. 57
David Herbert
DOI: 10.3828/bj.2013.8
‘Byron and 1812’ London Byron Society Symposium, Kingsway Hall Hotel 10-14 September 2012 p. 59
Mary O’Connell
DOI: 10.3828/bj.2013.9
Book Reviews p. 65
DOI: 10.3828/bj.2013.10
Report from the Salerooms p. 85
Alex Alec-Smith
DOI: 10.3828/bj.2013.11
The International Byron Societies 2012-2013 p. 89
DOI: 10.3828/bj.2013.12
The International Byron Societies Officers and Addresses p. 95
DOI: 10.3828/bj.2013.13

CFP: “William Blake’s Gothic Sensibility,” Special Issue of Gothic Studies

In Articles on May 23, 2013 at 12:51 pm


Special Issue of Gothic Studies:

“Embodiments of Horror: William Blake’s Gothic Sensibility”   

Guest Editors: Dr. Christopher Bundock (Huron College) and Elizabeth Effinger (Western).

Within the frame of the late eighteenth-century Gothic revival, this special issue of Gothic Studies explores the relationship between English poet and engraver William Blake and particularly disruptive affective intensities expressed at the level of image, text, and critical reception as well as their extension into contemporary adaptations. While a critical body of work exists on the relationship between Blake and the Gothic broadly—and in spite of an obvious fascination with a nexus of aesthetic categories such as the grotesque, perverse, and macabre—Blake’s focus on affects like physical disgust and horror, specifically, have garnered little sustained critical attention. This special issue seeks to redress this gap by opening up a dialogue between Blake and his gothic sensibility that centers on the affective, aesthetic, and philosophical implications of a physical body and sensorium that turns against itself.

Registering the contestation between introjection and expulsion, the abject – Kristeva’s term for a “massive and sudden emergence of uncanniness, which […] now harries me as radically separate, loathsome” (2) – is frequently figured in Blake as a monstrous Polypus, organic life in its merely vegetative, abhorrent state. Other examples of Blake’s “body horror” appear in the body turned inside out, revealing organs “Dim & glutinous as the white Polypus,” an uncanny “Fibrous Vegetation” that seems less like animating flesh than the binding vines that tie spirit with “living fibres down into the Sea of Time & Space growing / A self-devouring monstrous Human Death” (Los 4.66; Milton 24.37, 34.25-6). Rending apart the coherence of representation to expose “what I permanently thrust aside in order to live” (Kristeva 3), Blake’s revulsion stems –perversely enough—from a willingness to peer into the abyss of origination and expose art’s always fragile constitution as an invitation for revision, transformation, and rebirth. But how precisely does this affirmative attitude toward subjective and artistic regeneration square with Blake’s tortured affect, especially when this follows from a desire to transcend the physical body, the very matrix of sensibility? If Blake embodies horror, he is also horrified by the body’s limitations. How, then, does art—particularly Blake’s own art—respond to this problem? How does he make new kinds of bodies to embody desires differently?

We are particularly interested in papers that consider the impact this “thrust[ing] aside” by and of the body has for Blake’s thought and art. What is the work of horror in Blake? What, if any, generative potential is there in the restlessness of Blake’s tortured, gothic bodies? What is the cost of Blake’s investment in horror as a privileged affect? Does Blake’s appeal to horror and the Gothic challenge or render counterfeit his humanism? How does Blake’s revisioning of the body as an intensive site of horror invite new modes of thinking about the human? How do the horrors of Blake’s material bodies (dis)figure or embody the horrors of larger discursive bodies?

While this collection follows in the spirit of recent critical projects such as Blake 2.0 (Palgrave 2012) and Blake, Modernity and Popular Culture (Palgrave 2007) – important studies that foreground the continuing relevance of Blake in contemporary culture – it also distinguishes itself by interrogating the particular affinities between Blake and the embodied experiences of revulsion, abjection, and horror. Given this topic especially, Blake’s illustrations may well play a central role in some contributions. And we do hope to be able to reproduce a certain number of his visual artworks. Nevertheless, we ask that contributors use their best judgement and include images only if they come in for substantial, sustained analysis and are necessary for advancing the paper’s argument.

This collection is interested in papers that explore any aspects Blake’s embodied affects and affects of embodiment, and especially those dimensions wherein the body and affect clash. Topics may include, but are not limited to:

·       Deleuze and the Affect of Terror or Horror

·       Execrable Topi: Vacuum, Or-Ulro, Satan’s Mills

·       Horrors of abstraction

·       Embodiment, disembodiment, reembodiment

·       Birth, re-birth, and the labour of creation

·       Printing in the Infernal Method

·       The Pleasures of Pain: masochism, perversion

·       Transgression and anti-economy

·       Horror and Function

·       The Instruments of Terror

·       Revulsion’s limits, borders, or ends

·       Blake’s images as “dark visions of torment”

·       The image and Evil

·       Specters, ghosts, and darkness visible

·       Subject, Object, Abject

We invite contributions from academics, professionals, artists, and those with a scholarly interest in Blake. All relevant material will be considered. We welcome papers from multidisciplinary perspectives.

Including notes, articles should be between 4000 and 9000 words in length. Potential contributors should send abstracts (500-750 words) to both Dr. Christopher Bundock (cbundock@gmail.com) and Elizabeth Effinger (eeffinge@uwo.ca) by 1 October, 2013. All submissions should be in English and adhere to the “Guidelines on Preparing and Submitting an Article for Gothic Studies

New Issue of 19: Interdisciplinary Studies in the Long Nineteenth Century on W.T. Stead

In Articles, Events on May 10, 2013 at 1:33 pm

New Issue of 19: Interdisciplinary Studies in the Long Nineteenth Century

The new issue of 19: Interdisciplinary Studies in the Long Nineteenth Century is now available at http://19.bbk.ac.uk/index.php/19/issue/view/83

When W. T. Stead died on the Titanic he was the most famous Englishman on board. He was one of the inventors of the modern tabloid. His advocacy of ‘government by journalism’ helped launch military campaigns. His exposé of child prostitution raised the age of consent to sixteen, yet his investigative journalism got him thrown in jail. A mass of contradictions and a crucial figure in the history of the British press, Stead was a towering presence in the cultural life of late-Victorian and Edwardian society. This special issue of 19, guest edited by Laurel Brake and James Mussell, celebrates Stead’s life and legacy in all its diversity 101 years on.

There will be a panel session and reception to mark the publication of this issue at the British Library, 14 May 2013, 18:30-20:00. Speakers will be Kate Campbell, Rohan McWilliam, and Tony Nicholson. Attendance is free but attendees must register. Further details here: http://www.bl.uk/whatson/events/event145276.html


Laurel Brake, James Mussell: ‘Introduction’
Graham Law, Matthew Sterenberg: ‘Old v. New Journalism and the Public Sphere; or, Habermas Encounters Dallas and Stead’
Lucy Delap, Maria DiCenzo: ‘“No one pretends he was faultless”: W. T. Stead and the Women’s Movement’
Stéphanie Prévost: ‘W. T. Stead and the Eastern Question (1875-1911); or, How to Rouse England and Why?’
Tom Lockwood: ‘W. T. Stead’s ‘Penny Poets’: Beyond Baylen’
Paul Horn: ‘“Two Minds With but a Single Thought”: W. T. Stead, Henry James, and the Zancig Controversy’
Sarah Crofton: ‘“Julia Says”: The Spirit-Writing and Editorial Mediumship of W. T. Stead’
Marysa Demoor: ‘When the King Becomes your Personal Enemy: W. T. Stead, King Leopold II, and the Congo Free State’
Tom Gretton: ‘From La Méduse to the Titanic: Géricault’s Raft in Journalistic Illustration up to 1912


Victoriographies Vol. 3, No. 1, May 2013 is now available online

In Articles on May 10, 2013 at 1:31 pm

The new issue of Victoriographies is now available from Edinburgh University Press; it contains the following articles and reviews:


‘This is England’? Sense of Place in English Narrative Ballads
David Atkinson
Victoriographies, Vol. 3, No. 1, May 2013: 1-22.
Abstract | PDF plus (117 KB)
Gifts from Utopia: The Travels of Toru Dutt’s Poetry
Gabriella Ekman
Victoriographies, Vol. 3, No. 1, May 2013: 23-45.
Abstract | PDF plus (121 KB)
‘The Serried Maze’: Terrain, Consciousness and Textuality in Machen’s The Hill of Dreams
Kostas Boyiopoulos
Victoriographies, Vol. 3, No. 1, May 2013: 46-63.
Abstract | PDF plus (105 KB)
Making Mrs Grundy’s Flesh Creep: George Egerton’s Assault on Late-Victorian Censorship
Anthony Patterson
Victoriographies, Vol. 3, No. 1, May 2013: 64-77.
Abstract | PDF plus (83 KB)


Deaglán Ó Donghaile, Blasted Literature: Victorian Political Fiction and the Shock of Modernism, Edinburgh Critical Studies in Victorian Culture (Edinburgh: Edinburgh University Press, 2011), 260+xii pp., £65, ISBN-13: 978-0748640676
Tim Armstrong
Victoriographies, Vol. 3, No. 1, May 2013: 78-79.
Citation | PDF plus (28 KB)
Jason R. Rudy, Electrical Meters: Victorian Physiological Poetics (Athens: Ohio University Press, 2009), 222+xiii pp., $35.96 (USD), ISBN-13: 978-0821418826
Tim Armstrong
Victoriographies, Vol. 3, No. 1, May 2013: 79-81.
Citation | PDF plus (29 KB)
Tamara S. Wagner, Financial Speculation in Victorian Fiction: Plotting Money and the Novel Genre, 1815–1901 (Columbus: Ohio State University Press, 2010), 232+viii pp., £28.74, $44.95 (USD), €36.16, ISBN-13: 978-0814211199
Leeann Hunter
Victoriographies, Vol. 3, No. 1, May 2013: 81-82.
Citation | PDF plus (26 KB)
Ghislaine McDayter, Byromania and the Birth of Celebrity Culture (Albany, NY: State University of New York Press, 2009), 242+xiii pp., HB $75.00, PB $24.95, ISBN-13: 978-1438425252
Siv Jansson
Victoriographies, Vol. 3, No. 1, May 2013: 82-83.
Citation | PDF plus (25 KB)
J. Russell Perkin, Theology and the Victorian Novel (Montreal and Kingston, London, Ithaca: McGill-Queen’s University Press, 2009), 273+x pp., HB $95.00 (USD), $95.00 (CAD). ISBN-13: 978-0773536067
Siv Jansson
Victoriographies, Vol. 3, No. 1, May 2013: 84-85.
Citation | PDF plus (25 KB)
Sukanya Banerjee, Becoming Imperial Citizens: Indians in the Late Victorian Empire (Durham: Duke University Press, 2010), 272+ix pp., HB £66.00, £16.99, HB $84.95 (USD), $23.95 (USD), ISBN-13: 978-0822345909
Churnjeet Mahn
Victoriographies, Vol. 3, No. 1, May 2013: 85-86.
Citation | PDF plus (26 KB)
Kay Young, Imaging Minds: The Neuro-Aesthetics of Austen, Eliot, and Hardy (Columbus: The Ohio State University Press, 2010), 218+ii pp., £39, $59.95 (USD), €48, ISBN-13: 978-0814211397
Molly O’Donnell
Victoriographies, Vol. 3, No. 1, May 2013: 86-88.
Citation | PDF plus (30 KB)
Claudia Nelson, Precocious Children and Childish Adults: Age Inversion in Victorian Literature (Baltimore: Johns Hopkins University Press, 2012), 210 pp., $50.00 (USD), ISBN-13: 978-1421405346
Rebecca Brown
Victoriographies, Vol. 3, No. 1, May 2013: 88-89.
Citation | PDF plus (25 KB)
Alexandra K. Wettlaufer, Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800–1860 (Columbus: The Ohio State University Press, 2011), 338+xiv pp., ISBN-13: 978-0814211458
Giuseppina Di Gregorio
Victoriographies, Vol. 3, No. 1, May 2013: 90-91.
Citation | PDF plus (26 KB)
Patrick Brantlinger, Taming Cannibals: Race and the Victorians (Ithaca: Cornell University Press, 2011), 277+x pp., $45 (cloth), ISBN-13: 978-0801450198
Emily Scott
Victoriographies, Vol. 3, No. 1, May 2013: 91-93.
Citation | PDF plus (30 KB)
Dianne F. Sadoff, Victorian Vogue: British Novels on Screen (Minneapolis: University of Minnesota Press, 2010), 330+xxii pp., $25 (USD), ISBN-13: 978-0816660919 (HC: alk.paper) ISBN-13: 978-0816660926 (pbk.: alk. paper)
Sarah Pawlak
Victoriographies, Vol. 3, No. 1, May 2013: 93-94.
Citation | PDF plus (25 KB)
Caroline Levine and Mario Ortiz-Robles (eds.), Narrative Middles: Navigating the Nineteenth-Century British Novel (Columbus: The Ohio State University Press, 2011), 257 pp., ISBN-13: 978-0814211731
Kate Watson
Victoriographies, Vol. 3, No. 1, May 2013: 94-99.
Citation | PDF plus (41 KB)
Stephen Prickett and Simon Haines (eds.), European Romanticism: A Reader (London: Continuum, 2010), 1,032+xxx pp., HB £195, ISBN-13: 978-1441117649
Christopher Stokes
Victoriographies, Vol. 3, No. 1, May 2013: 99-102.
Citation | PDF plus (33 KB)
Peter Larkin, Wordsworth and Coleridge: Promising Losses (Basingstoke: Palgrave Macmillan, 2012), 267 pp., £58, $85, ISBN-13: 978-0230337367
Jo Taylor
Victoriographies, Vol. 3, No. 1, May 2013: 102-103.
Citation | PDF plus (24 KB)
Tatiana Kontou and Sarah Willburn (eds.), The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult (Farnham, Surrey: Ashgate Publishing, 2012), 436 pp., HB £85, ISBN-13: 978-0754669128
Jonathan Buckmaster
Victoriographies, Vol. 3, No. 1, May 2013: 104-105.
Citation | PDF plus (25 KB)
Richard Nemesvari, Thomas Hardy, Sensationalism, and the Melodramatic Mode (Basingstoke: Palgrave Macmillan, 2011), 245+xii pp., £54.00, ISBN-13: 978-0230621466
Roger Ebbatson
Victoriographies, Vol. 3, No. 1, May 2013: 105-108.
Citation | PDF plus (32 KB)
Julian Wolfreys, Dickens’s London: Perception, Subjectivity, and Phenomenal Urban Multiplicity (Edinburgh: Edinburgh University Press, 2012), 272 pp., £70.00, $105.00, ISBN-13: 978-0748640409
Hannah Lewis-Bill
Victoriographies, Vol. 3, No. 1, May 2013: 108-110.
Citation | PDF plus (27 KB)
Nicholas Freeman, 1895: Drama, Disaster, and Disgrace in Late Victorian Britain (Edinburgh: Edinburgh University Press, 2011), £65, ISBN-13: 978-0748640560
Sarah Lyons
Victoriographies, Vol. 3, No. 1, May 2013: 110-112.
Citation | PDF plus (30 KB)
Juliet John, Dickens and Mass Culture (Oxford: Oxford University Press, 2010), 321 pp., £56.00, ISBN-13: 978-0199257928
Jude Piesse
Victoriographies, Vol. 3, No. 1, May 2013: 112-113.
Citation | PDF plus (26 KB)

Notes on Contributors

Victoriographies, Vol. 3, No. 1, May 2013: 114-118.
Citation | PDF plus (42 KB)

New Issue of Victorian Literature and Culture 41:1 (March 2013)

In Articles on April 29, 2013 at 1:25 pm
E-mail for general correspondence vlc.journal@nyu.edu

Victorian Literature and Culture
Volume 41, Number 1

  •  Performing Victorian Womanhood: Elsie Fogerty Stages Tennyson’s Princess in Girls’ Schools

Megan A. Norcia

  • Form and Reform: The “Miscellany Novel”

Helen Hauser

  • Destructive Maternity in Aurora Leigh

Laura J. Faulk

  • In the “World of Death and Beauty”: Risk, Control and John Tyndall as Alpinist

R. D. Eaton

  • Our Mutual Engine: The Economics of Victorian Thermodynamics

Jessica Kuskey

  • Gifting Pain: The Pleasures of Liberal Guilt in London, a Pilgrimage and Street Life in London

Tanushree Ghosh

  • Non-Evolutionary Degeneration in Arthur Machen’s Supernatural Tales

Kimberly Jackson

  • Diverting the Drunkard’s Path: Chartist Temperance Narratives

Rob Breton

  • Imitation Fiction: Pirate Citings in Robert Louis Stevenson’s Treasure Island

Monica F. Cohen

  • Victorians Live

Herbert Sussman, Editor

  1.      Art for the Nation: Sir Charles Eastlake at The National Gallery

Hilary Fraser

  1. Apocalypse Then and Now

Lynda Nead

  1. Exhibiting Dickens at 200

Anne Humpherys

New Issue: Victorian Periodicals Review (Spring 2013)

In Articles on April 17, 2013 at 2:12 pm

The Research Society for Victorian Periodicals is pleased to announce publication of the Spring 2013 issue of Victorian Periodicals Review.


Asses and Aesthetes: Ritualism and Aestheticism in Victorian Periodical Illustration

2012 VanArsdel Prize:
Dreaming across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue

Illustrating the Accident: Railways and the Catastrophic Picturesque in The Illustrated London News

“Nae mortal man should be entrusted wi’ sic an ingine”: Blackwood’s Edinburgh Magazine and the Tory Problem of Romantic Genius

“Both English and Jewish”: Negotiating Cultural Boundaries in Young Israel, 1897-1901

Retrospective: “’Tis Fifty Years Since”: The Making of Fiction for the Working Man, 1830-50

Book Reviews

The Selected Works of Margaret Oliphant, edited by Joanne Shattock and Elisabeth Jay

Secret Commissions: An Anthology of Victorian Investigative Journalism, edited by Stephen Donovan and Matthew Rubery

A subscription to VPR, which brings with it membership in the Research Society for Victorian Periodicals, is only $35 ($30 for students): https://www.press.jhu.edu/cgi-bin/order.cgi?oc_id=1707. To learn more about VPR and RSVP, visit the website at www.rs4vp.org<http://www.rs4vp.org>.

New Romantic Circles Praxis volume, “Romantic Numbers,” now available

In Articles on April 16, 2013 at 11:21 am

Romantic Numbers
A Romantic Circles Praxis Volume
Edited by Maureen N. McLane

The six essays in this volume offer a range of mediations prompted by the volume’s title.  These essays explore older and newer logics of “matching” and “counting” and “measuring” (whether statistical, geometric, or otherwise un/calculable); they register as well an upsurge in interest in formal-language, neurocognitive and medial-historical approaches. These essays invite us to think “bodies,” “multitudes,” and “subjectivity” along different axes. They ask us to think about the (romantic) one, the (romantic) proper name, quantity, and quality; they invite us to reflect on the status of poetry and measure, about the work of the novel as totalization, about models of mind, about calculuses of populations and food. Ranging through Wordsworth, Scott, Malthus, Babbage, and Galt (among others), this volume points to new directions in romanticist thinking while reconstructing the complexity of romantic-period thought.

Table of Contents:

Gallery One

Gallery Two

SiR 51.3 (Fall 2012) available

In Articles on April 8, 2013 at 11:09 am

The most recent issue of Studies in Romanticism (Fall 2012) is now available, and contains the following articles and reviews.



New Issue of Romanticism Now Available (April 2013)

In Articles on March 26, 2013 at 11:40 am

The new issue of the journal Romanticism (19:1, April 2013) is now available; it contains the following articles and reviews:


The Date of ‘La Belle Dame Sans Merci’ and ‘Song of Four Fairies’
John Barnard
Romanticism, Vol. 19, No. 1, Apr 2013: 1-5.
Citation | PDF plus (51 KB)
Equably seeking Lucy
John Beer
Romanticism, Vol. 19, No. 1, Apr 2013: 6-18.
Citation | PDF plus (80 KB)
‘On War’: De Quincey’s Martial Sublime
Philip Shaw
Romanticism, Vol. 19, No. 1, Apr 2013: 19-30.
Citation | PDF plus (191 KB)
Shelley’s ‘cancelled cycles’: Huttonian Geomorphology and Catastrophe in Prometheus Unbound (1820)
Michelle Geric
Romanticism, Vol. 19, No. 1, Apr 2013: 31-43.
Citation | PDF plus (91 KB)
Listening to Christabel: Sound, Silence and the Contingencies of Voice
Jonathon Shears
Romanticism, Vol. 19, No. 1, Apr 2013: 44-56.
Citation | PDF plus (94 KB)
French Poets and British Reviewers, 1814–30
Marcus Tomalin
Romanticism, Vol. 19, No. 1, Apr 2013: 57-76.
Citation | PDF plus (132 KB)
Wordsworth’s Perplexed Punctuation in ‘Michael’ and ‘Resolution and Independence’
Owen Boynton
Romanticism, Vol. 19, No. 1, Apr 2013: 77-88.
Citation | PDF plus (83 KB)
‘The till now unseen object of my mad idolatry’: The Presence of Jane Williams in Mary Shelley’s The Last Man
Catherine Redford
Romanticism, Vol. 19, No. 1, Apr 2013: 89-99.
Citation | PDF plus (80 KB)


Alan D. Vardy, Constructing Coleridge: The Posthumous Life of the Author (Houndmills: Palgrave Macmillan, 2010), pp. 208. £55 hardback. 9780230574809.
Heidi Thomson
Romanticism, Vol. 19, No. 1, Apr 2013: 100-101.
Citation | PDF plus (41 KB)
Tim Milnes, The Truth About Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge (Cambridge: Cambridge University Press, 2010), pp. vii + 253. £50/$85.00 hardback. 9780521198073.
Timothy Michael
Romanticism, Vol. 19, No. 1, Apr 2013: 101-103.
Citation | PDF plus (48 KB)
Andrew Rudd, Sympathy and India in British Literature, 1770–1830 (Basingstoke: Palgrave Macmillan, 2011), pp. x + 216. £50 hardback. 9780230233393.
Richard Cronin
Romanticism, Vol. 19, No. 1, Apr 2013: 103-104.
Citation | PDF plus (42 KB)
Susanne M. Sklar, Blake’s ‘Jerusalem’ as Visionary Theatre: Entering the Divine Body (Oxford: Oxford University Press, 2011), pp. 310. £70.00 hardback. 9780199603145.
Timothy Ruppert
Romanticism, Vol. 19, No. 1, Apr 2013: 104-106.
Citation | PDF plus (49 KB)
David Stewart, Romantic Magazines and Metropolitan Literary Culture (Basingstoke and New York: Palgrave Macmillan, 2011), pp. x + 248. £50.00 / $85.00 hardback. 9780230251786.
Nikki Hessell
Romanticism, Vol. 19, No. 1, Apr 2013: 106-108.
Citation | PDF plus (48 KB)
Jacqueline Mulhallen, The Theatre of Shelley (Cambridge: Open Book Publishers, 2010), pp. xvi + 274. £24.95 paperback. 9781906924300.
Paige Tovey
Romanticism, Vol. 19, No. 1, Apr 2013: 108-109.
Citation | PDF plus (42 KB)
Reeve Parker, Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge and Shelley (Cambridge and New York: Cambridge University Press, 2011), pp. x + 300. £60 / $99 hardback. 9780521767118.
Chris Murray
Romanticism, Vol. 19, No. 1, Apr 2013: 109-111.
Citation | PDF plus (49 KB)
Simon J. White, Robert Bloomfield, Romanticism and the Poetry of Community (Aldershot and Burlington: Ashgate, 2007), pp. 171. £55.00 hardback. 9780754657538.
Judyta Frodyma
Romanticism, Vol. 19, No. 1, Apr 2013: 111-113.
Citation | PDF plus (44 KB)

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