On 19th-Century Literary Scholarship

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Studies in Romanticism 50.4 (Winter 2011)

In Articles on June 2, 2012 at 2:10 pm

Here are the articles and reviews from issue 50.4 (Winter 2011) of Studies in Romanticism:

1. “The Use of Conversation”: William Godwin’s Conversable World and Romantic Sociability

Author: Jon Mee

p. 567-590

2. The Lettered Paul: Remnant and Mission in Hannah More, Walter Scott, and Critical Theory 

Author: Dustin D. Stewart

p. 591-618

3. Lady Susan: Jane Austen’s Machiavellian Moment 

Author: James Mulvihill

p. 619-637

4. Romantic Liberalism and the Juridical Comedy: Robert Bage’s Hermsprong 

Author: Anahid J. Nersessian

p. 639-659

5. Glory and Nothing: Byron Remembers Wordsworth

Author: Peter T. Murphy

p. 661-683

6. Becoming Corsairs: Byron, British Property Rights and Orientalist Economics  

Author: Gerard Cohen-Vrignaud

p. 685-714

7. Review of James M. Garrett, Wordsworth and the Writing of the Nation  

Author: Alison Hickey

p. 715-719

8. Review of David Collings, Monstrous Society: Reciprocity, Discipline, and the Political Uncanny

Author: James O’Rourke

 p. 719-722

9. Review of Felicity James, Charles Lamb, Coleridge and Wordsworth: Reading Friendship in the 1790s

Author: Tim Milnes

p. 722-726

New Issue of Journal of Victorian Culture (17:1, 2012) Now Available

In Articles on March 29, 2012 at 12:28 pm

The latest issue of the Journal of Victorian Culture is now available.  It contains articles on the “weeping judge” Sir James Willes, on “Goblin Market,” and on Wilfred Scawen Blunt, and a special forum on A.S. Byatt’s The Children’s Book.  See the table of contents here:

http://www.tandfonline.com/toc/rjvc20/17/1

 

New Issue of Romanticism, April 2012

In Articles on March 29, 2012 at 12:24 pm

The latest issue of the journal ROMANTICISM (18:1, April 2012) is now available.

 

Articles:

Simon Bainbridge
Citation- PDF plus (105K)

 

 

 

 

 

 

Review Essay

 

Reviews

The Troubled Future of the Nineteenth-Century Book (essay)

In Uncategorized on March 19, 2012 at 11:13 am

A version of this essay was published in the Chronicle of Higher Education, December 2011.

 

The Troubled Future of the Nineteenth-Century Book

Andrew M. Stauffer

 

What is the future of the general collections in academic research libraries in the wake of wide-scale digitization?  The question has particular urgency for scholars who work on materials from the long nineteenth century.  In most cases, pre-1800 books have been moved to special collections, and post-1923 materials remain in copyright and thus on the shelves for circulation.  But college and university libraries are now increasingly reconfiguring access to public-domain texts via repositories such as Google Books and the HathiTrust Digital Library.  As a result, library policy makers are anticipating the withdrawal of large portions of nineteenth-century print collections in favor of digital surrogates.  This massive transition is occurring with little input from the students and faculty, for whom the library serves as their primary research lab.  Scholars with an interest in the printed record of the nineteenth-century need to get involved now, before the sudden reconfiguration of the academic research library system makes that record inaccessible.

In January 2011, the OCLC (Online Computer Library Center) released a report written by Constance Malpas, entitled, “Cloud-sourcing Research Collections: Managing Print in the Mass-digitized Library Environment.”  This report focuses primarily on the HathiTrust Digital Library as a potential source for academic research library collections.   Comprised primarily of the library-contributed content from the Google Books project , the HathiTrust is a consolidated digital repository that includes approximately 2.2 million public domain volumes.  As Malpas states, “One of the hypotheses that this study set out to test is that the HathiTrust Digital Library represents a potentially rich source of digital surrogates that might, over time, effectively replace a substantial proportion of low-use print collections in academic libraries” (25).  Perhaps unsurprisingly, the report finds that yes, the replacement of “low-use print collections” with HathiTrust surrogates makes a lot of sense. Malpas concludes that “It is in the interest of all academic libraries that mass-digitized collections…improve to the degree that low-use print inventory can be retired in favor of increased reliance on digital surrogates” (64).  Such recommendations from leading policy makers in the academic library community suggest the seriousness of the challenge to public-domain print collections in the coming decade.

Other library policy organizations have produced similar or related visions of the academic research library’s digital future.  In September 2009, an ITHAKA Strategy and Research report appeared, written by Roger Schonfeld and Ross Housewright, with the ominous title, “What to Withdraw,” and subtitled “Print Collections Management in the Wake of Digitization.” Recently merged with JSTOR to provide access to scholarly journals online, ITHAKA made the case that university libraries should start de-accessioning collections of print journals and rely solely on digital versions: “The large-scale digitization of print journal collections has led to most access needs being met via digital surrogates. Numerous libraries would therefore like to reassign the space occupied by print collections towards higher-value uses” (2).  Although the recommendations are ostensibly confined to journals, the language of the report encourages a slide towards print collections generally., in line such as, “we do not assume that there is any intrinsic value to the maintenance of collections of print artifacts but rather take a critical perspective to analyze why the community might want to keep any print at all” (3).   In a 2001 report, “The Evidence in Hand,” Stephen G. Nichols and Abby Smith of the Council on Library and Information Resources (CLIR) take a more generous view of faculty involvement in library decision-making, but warn, “Scholars may not see preservation of research collections as their responsibility, but until they do, there is a risk that many valuable research sources will not be preserved” (82).  This same report concludes that, “It is not too early to plan for the eventual disposition of the scores, or even hundreds, of duplicate copies of individual items that scholars, voting with mouse clicks, prefer to use online”(28).   Of course, what counts as a “duplicate copy” or indeed an “artifact” should be the subject of much debate. It seems inevitable that, from the scholars’ perspective, inadequate principles of redundant or duplicate copies will be employed in culling the collections.

Of course librarians have always “weeded” the stacks; professional de-accessioning is part of the process of maintaining a healthy library system.  But we are now facing a much larger and more sudden transformation.  The movement of circulating collections to off-site storage is now standard practice at many academic research libraries; and regional repositories for little-used print collections (such as ReCAP serving Columbia, Princeton, and the NYPL) are a growing phenomenon.  The idea of a network of a small number of national repositories has been widely suggested as the next stage in this process, meaning wide sharing and many fewer printed books held.  Cue the widespread de-accessioning of public domain books.  One gets the impression that academic research libraries are weaning users from material formats, encouraging trends already in place and effectively ensuring the reduced call for and access to the physical objects they hold.  As students and researchers visit the stacks less frequently and demand ever-greater digital access to materials, libraries are under pressure to justify money spent on their print holdings.

Books, and especially nineteenth-century books printed on poor paper, are expensive to shelve, preserve, and circulate.  If few people are using them, and no one is making a convincing case for their retention, budgetary pressures (including the mushrooming expenses associated with providing digital access to materials) will inevitably force the physical books off the shelves.

As the director of NINES (Networked Infrastructure for Nineteenth-century Electronic Scholarship) at the University of Virginia, I work daily with projects involved in digitizing the historical record of the great age of industrial printing.  Our collective goal is to open up these materials to various kinds of search, discovery, visualization, commentary, contextualization, and collaborative research.  At the same time, NINES has always stressed that such digital archives are not replacements for the material texts they represent; rather, they are simulations or models, close relatives of the traditional scholarly edition.  The books on the shelves carry plenty of information lost in the process of digitization, no matter how lovingly a particular copy is rendered for the screen.  And in the case of Google Books and HathiTrust, the emphasis has been squarely placed on quantity over quality. If our academic research libraries replace large swaths of their original nineteenth-century artifacts with these hastily-executed scans, they will be trading away irreplaceable legacies and gutting certain disciplines that rely on the evidence of the past.  They will also be putting the real world of the historical book ever further out of reach of the students, even as they ostensibly are providing access to it via surrogates. In such a future, nineteenth-century books will be simultaneously instantly accessible and out of reach, splayed and untouched, so that, as things of paper and ink, they will be even more difficult to remember or rediscover than things truly forgotten.

To be effective, the case for the retention of nineteenth-century printed books in academic research libraries cannot take the form of general laments or calls to save everything.  Rather, academic library policy makers should work closely with scholars who specialize in the history of the nineteenth-century book, recognizing that this particular set of materials (published roughly from 1800-1923) is under threat, given the rise of digitized public domain texts.  Such collaborative policy groups could address the following topics: 1) the place of the historical library collections in the university’s mission;  2) guidelines for retaining or disposing of books, including plans for discovering what is really on the shelves; and 3) the public case for increased funding for the libraries.  Such groups will have to form and move quickly: library policies are changing now, and in a decade or two, it will likely all be over, as the wide-scale reliance on digitized surrogates pushes the public domain physical collections to the margins or out of the libraries completely.

At this moment, humanities scholars whose work touches the long nineteenth-century have a vested interest in lobbying for the retention of the printed record in the general collections of academic research libraries.  Such collections are their labs, places for discovery and the foundation of entire disciplines.  Scholars of the book know that there are vitally significant orders of variation and signification in the stacks: editions, printings, issues, states, bindings, illustrations, paper type, size, marginalia, advertisements, and other customizations in apparently identical copies.  This archive of the history of the making and consumption of books cannot be replaced by single-copy scans; and new scholars of the historical record cannot be trained on simulations.  It may be that, as a constituency, the scholars simply do not have the political power to keep these materials in place, as priorities shift and the culture of digital information transforms the idea of the university.   Yet such projected de-accessioning raises larger definitional questions that should engage us all: what are academic research libraries for?  To what extent is the university invested with the stewardship of the past?  How will the humanities change in a digital age, for better and worse?  What was a book?  Searching conversations should be had, priorities agreed upon, and avenues for collaborative fundraising explored, before the trucks come to take away the nineteenth-century printed record for good.

 

CFP: 20th International Thomas Hardy Conference (Dorchester, UK), August 2012

In Conferences on March 7, 2012 at 1:57 pm

CALL FOR PAPERS

20th International Thomas Hardy Conference and Festival

Dorchester, UK

18-26 August 2012

We are soliciting papers from Hardy scholars around the world for the Twentieth International Thomas Hardy Conference and Festival which will take place in Dorchester, UK from 18-26th August, 2012. Proposals should take the form of an abstract not exceeding 250 words max for papers of 20 minutes duration. These will be delivered in chaired parallel sessions throughout the week as part of the academic program of lectures, seminars, talks and the postgraduate symposium. Proposals may address any aspect of Hardy’s life, work and thought but we are particularly keen to encourage papers focusing on the following areas:

  • Hardy and Genre (particularly the short story).
  • Hardy and the Visual and/or Plastic Arts.
  • Hardy and Intertextuality.
  • Hardy and Cultural Heritage.
  • Wessex and the wider world.
  • Hardy and international politics.
  • International responses to the work of Thomas Hardy
  • Hardy’s influence on poets, writers and musicians (including popular musicians) in the twentieth and twenty-first centuries.

Proposals should be addressed to:

‘Call for Papers’ – ( The Thomas Hardy Society) Dr. Jane Thomas, Department of English University of Hull, East Yorkshire HU6 7RX

Email: j.e.thomas@hull.ac.uk

New Website for RaVoN

In Articles, Digital resources on March 1, 2012 at 3:21 pm

Along with the announcement of their latest double-issue, the editors of Romanticism and Victorianism on the Net also announce the launch of a new website for the journal, at http://ravonjournal.org. The announcement, which you can read here, also indicates that the website will serve as host to some of the new features planned for RaVoN.

RaVoN 57-58: Romantic Cultures of Print, eds. Andrew Piper and Jonathan Sachs

In Articles on February 23, 2012 at 4:28 pm

The Hoarding has discovered the latest double-issue of Romanticism and Victorianism on the Net — a special issue on “Romantic Cultures of Print” edited by Andrew Piper and Jonathan Sachs — in pre-release from Erudit. The issue contains the following essays:

  • Andrew Piper and Jonathan Sachs, “Introduction: Romantic Cultures of Print – From Miscellaneity to Dialectic” [HTML] [References]
  • Sanja Perovic, “Mediating Print Culture: Censorship, Revolutionary Journalism and the Manifesto of Equals[HTML] [Abstract]
  • Andrew Franta, “What Jane Austen Read (in the Hampshire Chronicle)” [HTML] [Abstract]
  • Carlos Spoerhase, “Reading the Late-Romantic Lending Library: Authorship and the Anxiety of Anonymity in E. T. A. Hoffmann’s Late Work” [HTML] [Abstract]
  • Tim Fulford, “Virtual Topography: Poets, Painters, Publishers and the Reproduction of the Landscape in the Early Nineteenth Century” [HTML] [Abstract]
  • Matthias Buschmeier, “Fantasies of Immediacy, or, the Boundaries of the Book in Eighteenth Century Travel Narratives” [HTML] [Abstract]
  • Mary Fairclough, “Radical Sympathy: Periodical Circulation and the Peterloo Massacre” [HTML] [Abstract]
  • Chris Lendrum, “‘Periodical Performance’: The Figure of the Editor in Nineteenth-Century Literary Magazines” [HTML] [Abstract]
  • Sean Franzel, “The Romantic Lecture in an Age of Paper (Money): Jean Paul’s Literary Aesthetics across Print and Orality” [HTML] [Abstract]
  • Mark Algee-Hewitt, “Acts of Aesthetics: Publishing as Recursive Agency in the Long Eighteenth Century” [HTML] [Abstract]
  • Tom Mole, “Spurgeon, Byron, and the Contingencies of Mediation” [HTML] [Abstract]
  • John Savarese and Colin Jager, “Cognition, Culture, Romanticism : A Review Essay” [HTML] [References]
  • Emily Steinlight, “Speculation and Its Discontents: Economic Criticism, Literary History, and the Unpredictable Pleasures of Victorian Fiction : A Review-Essay” [HTML] [References]

In addition, the double-issue contains reviews of recent books by Rothenberg and Robinson, Chandler and McLane, Wright, Mason, Gamer and Porter, Graver, Tetreault and Hannon, Levin, Henderson, Mahood, Koropeckyj, Esterhammer, Schlutz, Mole, Sha, Walker, Hay, Stewart, Agathocleous, Hadley, Butler, Smajić, Ablow, Livesey, Armstrong, Bristow, Betensky, Morgan, Sanders, Alù, McAllister, Watson, Kennedy, Kreuger, Delafield, Bolus-Reichert, McGuire, Stevens, Norcia, Kapila, Logan, Ofek, Hager, Frost, Gilooly and David, and Sadoff.

New Romantic Praxis volume, “Romanticism, Forgery, and the Credit Crunch,” now available

In Articles on February 23, 2012 at 4:07 pm

Romanticism, Forgery, and the Credit Crunch
A Romantic Circles Praxis Volume
Edited by Ian Haywood

http://www.rc.umd.edu/praxis/forgery

Table of Contents:

CFP: International Conference on Romanticism: “Catastrophes,” Arizona State, November 2012

In Conferences on February 8, 2012 at 12:01 pm

Catastrophes:

The 2012 International Conference on Romanticism

Arizona State University

November 8 – 11, 2012


For its 2012 conference, the International Conference on Romanticism returns to the Sonora Desert and will be held on the campus of Arizona State University in its Memorial Union, the site for the 2006 conference. Mark Lussier and Ron Broglio, the conference organizers, have adopted the theme of “catastrophes,” which should be interpreted in its broadest possible context, including aesthetic, colonial, dramatic, ecological, economic, geographic, literary, military, and political catastrophes (and other approaches are equally welcome). Angela Esterhammer (University of Zurich) and Paul Youngquist (University of Colorado) have agreed to deliver plenary lectures for the conference. The website for the conference (http://english.clas.asu.edu/icr2012 ) is now activated, and content regarding special sessions and other information will continue to be added across this week. However, abstracts and paper proposals are due April 1st, and special session proposals are due April 15th. We hope you will join us in November 2012.

Call for Articles: “The History and Future of the 19th-Century Book,” GRAMMA Special Issue (2013)

In Articles on February 6, 2012 at 6:06 pm

CALL FOR PAPERS

GRAMMA

Journal of Theory and Criticism

“The History and Future of the 19th-Century Book”

Issue number 21 (2013)

In the period between 1740 to 1850, the systematization of the entire process of making and selling books through a network of printers, publishers, booksellers, writers, readers, and critics led to the evolution of the book trade into a profit-making machine. The resulting professionalization and commodification of literature created not only professional authors and critics, making authorship itself undergo significant change,  but set up an entirely new way of conceiving of reading, writing, and selling literary materials. The changing nature of books, media, information and communication defined the literary culture of the period and was central to the establishment of national identity.

Today, the late twentieth-century emergence of digital media has led to a massive-scale migration of our paper-based inheritance to digital forms, forcing a return to textual scholarship and its various problematics, as well as placing literature within a complex interactive matrix of multiple collaborating agents, individual as well as institutional. Though digitization was not a concern in the nineteenth century, the drastically changing relationship of literature to its socio-historical milieu invites parallels with today’s re-inventing of the writing and dissemination of literature and of the digital transformation in the humanities. The debate becomes even more urgent as more and more eighteenth and nineteenth-century print literary materials are being modeled in digital environments. What does digital technology has to offer literary and cultural history? What are the stakes involved in the translation of print materials into digital forms?

For the 2013 volume of Gramma on the history and future of the book with a focus on British and American 19th-century literary materials, papers are invited on the following or related areas:

·               book production and publishing history

·               gender, class, and audiences as mediated by print/digital text

·               authorship and its redefinition

·               periodicals; serial publication; copyright and pirated editions

·               editing 19th-century British writers

·               interfaces, platforms, and technologies of 19th-century books

·               archiving, preserving, and collecting material and digital records

·               the impact of digitization on teaching and scholarship in 19th-century studies

·               bibliography, textual criticism, and digital technologies

·               the public domain and the creative commons for the 19th and 21st centuries

Papers should not exceed the length of 7,000 words (including footnotes and bibliography) and should be double spaced. They should adhere to the latest MLA style of documentation and should be submitted electronically in the form of a Word document to the editors of the issue, Maria Schoina and Andrew Stauffer, at the following email addresses: schoina@enl.auth.gr and amstauff@gmail.com

Deadline for submissions: 31 December 2012

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