The latest issue of the Byron Journal (37:2, 2009), edited by Alan Rawes, has just appeared. It contains the following articles and reviews:
ARTICLES:
The latest issue of the Byron Journal (37:2, 2009), edited by Alan Rawes, has just appeared. It contains the following articles and reviews:
ARTICLES:
Issue 5.3 of Nineteenth-Century Gender Studies is now available at www.ncgsjournal.com
This issue features the following articles and reviews:
ARTICLES
REVIEWS
CALL FOR PAPERS
ROBERT BROWNING AMONG THE VICTORIANS – AND AFTER
Browning Bicentenary issue of Victorian Poetry
Summer 2012
Robert Browning is a quintessentially Victorian poet, deeply rooted in the
period’s culture, and conscious of its politics and intellectual and religious
debates. At the same time, he is a significant – though not always duly
acknowledged – influence on later authors. He has also lent himself well to
twentieth-century critical theory, having been claimed by approaches as wide-
ranging as Deconstruction, New Historicism and feminism. How do we assess
him 200 years after his birth, in an age when a variety of critical theories
coexists with a strong interest in broader issues of Victorian culture?
For this special issue of Victorian Poetry, the editors invite articles that offer
fresh considerations of Browning’s work within its Victorian context – and
after.
Subjects may include, but are not limited to:
Browning and contemporary poetics
Browning among the modernists
Postmodern theory reframing Browning’s poetics
Historicisms, old, new, and revisionist
Browning in the empire
Browning in Europe
Poetic language and culture
Rereading Browning’s religious casuistry
Browning’s (sexual) politics
Reassessing the dramatic monologue
Browning on the stage
Deadline for finished essays: 1 November 2011.
Please address proposals and inquiries to one of the editors:
Mary Ellis Gibson
megibson@uncg.edu
Professor of English
University of North Carolina at Greensboro
3115 MHRA
Greensboro NC 27402-6170
USA
Britta Martens
Britta2.Martens@uwe.ac.uk
Department of English
University of the West of England
St. Matthias Campus, Fishponds
Bristol BS16 2JP
To be released on December 11, 2010, a new book from Palgrave:
Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures
Through a close encounter with material objects and cultural experiences this book transforms the way we read the literary and the visual in the nineteenth century. The photograph, the illustrated magazine and the collection became centres of multisensorial perception through looking, reading, handling, sharing and writing. Attention to these embodied practices helps flesh out forms of perception and circulation which deferred and transformed desire and pleasure across media. Capturing the historically specific modes in which such objects were produced, encountered, and conceptualised, the essays in this collection argue against the separation of the senses and rethink the manner in which visuality touches the beholder both literally and metaphorically. Through early and late nineteenth-century episodes in the cultures of viewing, reading, and collecting this book makes new and sometimes surprising connections between Romanticism and the fin de siècle. Through its exploration of a material aesthetic this book offers fresh and original readings of works by William Wordsworth, Percy Shelley, Henry James, and Oscar Wilde, among others.
Foreword; H.Fraser
Introduction: Nineteenth-Century Objects and Beholders; L.Calè & P. Di Bello
PART I: BLINDING VISIONS
Ekphrasis and Terror: Shelley, Medusa, and the Phantasmagoria; S.Thomas
Wordsworth’s Glasses: the Materiality of Blindness in the Romantic Vision; H.Tilley
PART II: PHOTOGRAPHS AND THEIR PLEASURES
The Wont of Photography, or the Pleasure of Mimesis; L.Smith
Aesthetic Encounters: the Erotic Visions of John Addington Symonds and Wilhelm Von Gloeden; S.Evangelista
PART III: ILLUSTRATIONS AND LATENT IMAGES
‘Latent Preparedness’: Literary Association and Visual Reminiscence in Daisy Miller; G.Smith
A Modern Illustrated Magazine: The Yellow Book Poetics of Format; L.J.Kooistra
PART IV: PRECIOUS OBJECTS
Dandyism, Visuality and the ‘Camp Gem’: Collections of Jewels in Huysmans and Wilde; V.Mills
The Book Beautiful: Reading, Vision, and the Homosexual Imagination in Late Victorian Britain; M.Hatt
Bibliography
Index
Two notable books have recently appeared on the relationship of books and book history to our understanding of the nineteenth-century.
The first is Andrew Piper’s Dreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age (University of Chicago, 2009). This looks like an extremely interesting book, and I’ll be reviewing it next year for Studies in Romanticism. Here is Piper’s description:
“At the turn of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era’s “bookish” culture. According to Andrew Piper, romantic writing and romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and to want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well.
“Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book’s identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book’s rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.”
Piper’s book also has its own blog, or booklog, available here.
The second book of note is a collection of what look to be fascinating essays, Bookish Histories, edited by Ina Ferris and Paul Keen; can’t wait to see this:
Introduction: Towards a Bookish Literary History; I.Ferris & P.Keen
PART ONE: RECONFIGURING LITERARY HISTORY
Wild Bibliography: The Rise and Fall Book History in Nineteenth-Century Britain; J.Klancher
‘Uncommon Animals’: Making Virtue of Necessity in the Age of Authors; P.Keen
Making Literary History in the Age of Steam; W.McKelvy
PART TWO: BOOKS IN THE EVERYDAY
Canons’ Clockwork: Novels for Everyday Use; D.Lynch
Book-Love and the Remaking of Literary Culture in the Romantic Periodical; I.Ferris
The Art of Sharing: Reading in the Romantic Miscellany; A.Piper
Getting the Reading Out of London Labor; L.Price
PART THREE: REMAPPING THE LITERARY FIELD
Reading Collections: The Literary Discourse of Eighteenth-Century Libraries; B.M.Benedict
Imagining Hegel: Bookish Form and the Romantic Synopticon; M.Macovski
‘The Society of Agreeable and Worthy Companions’: Bookishness and Manuscript Culture after 1750; B.A.Schellenberg
The Practice and Poetics of Curlism: Print, Obscenity, and the Merryland Pamphlets in the Career of Edmund Curll; T.Keymer
Charlatanism and Resentment in London’s Mid-Eighteenth Century Literary Marketplace; S.During
From Jeanne Moskal, editor:
The Keats-Shelley Association announces the publication of the 2009 Keats-Shelley Journal. Along with book reviews and our annual bibliography, it contains the articles listed below
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